Garland heeft een voorliefde voor sci-fi en horrorfilms en liet recentelijk weten dat zijn nieuwste project, Men, meer lijkt op Annihilation dan op Ex Machina. In dit horrordrama volgen we een jonge vrouw (gespeeld door Jessie Buckley) die na de dood van haar ex-man op vakantie gaat op het Britse platteland.
Nachtmerrie
Het wordt echter niet de rustige vakantie waar ze op had gehoopt, aangezien iemand of iets haar lijkt te stalken. De sluimerende dreiging wordt een regelrechte nachtmerrie, waarin ze wordt belaagd door demonen uit haar verleden. En het lijkt erop dat de filmmaker weer een goede film heeft geleverd, al zitten er wel de nodige ongemakkelijke en akelige momenten in.
De eerste recensies zijn namelijk lovend en hieronder terug te lezen!
Garland's MEN is a bit like Malick going from THIN RED LINE to TREE OF LIFE. Don't expect a hard sci-fi vision, just expect a vision: an intense surrealist twist on the Final Girl trope. Will lead to more questions than answers but theories will abound. https://t.co/k16PW87KLw
— erickohn (@erickohn) May 2, 2022
i'll say this for Alex Garland's half-formed but fully intriguing MEN, which cleaves much closer to the abstruseness of Annihilation than its discourse-baiting title might suggest: it's rare to see a movie that evokes Richard Curtis and Lars von Trier in almost equal measure.
— david ehrlich (@davidehrlich) May 2, 2022
Alex Garland's MEN is going to be even more of a conversation-starter than ANNIHILATION or EX MACHINA, but I suspect there's going to be much less agreement about what's going on. It's intense, opaque, challenging, and visceral as hell. It'll make people angry, at the very least. pic.twitter.com/ao19AhN6w6
— Tasha Robinson (@TashaRobinson) May 2, 2022
Alex Garland's MEN is, of course, psychologically terrifying but funnier than expected thanks to a versatile Rory Kinnear. Jessie Buckley continues to amaze. Thematically layered & vividly constructed with an unforgettable final sequence. Lots to absorb on just a single viewing. pic.twitter.com/bf10Jg7nuk
— Matt Neglia (@NextBestPicture) May 2, 2022
MEN: Alex Garland's most nakedly horror movie, and also his weirdest. A surreal folk horror film that starts off as an unsettling home invasion thriller and gets stranger (and gorier) from there. I loved it?? Audiences will hate it!
— Hoai-Tran Bui (@htranbui) May 2, 2022
I saw Alex Garland's new movie MEN. It's his most stripped-down and primal film yet. Removing the sci-fi veneer of Garland's previous work reveals he's actually the most talented surrealist director working today. The ending of MEN is also even weirder than ANNIHILATION's ending. pic.twitter.com/1FNStblELz
— Jake (@jacobkleinman) May 2, 2022
Men is not my favorite Alex Garland movie, but it most certainly does extend his impressive streak of making complex, fascinating, and layered genre stories that fuck with your head for days. The ending is certainly a jaw dropper, and executes some brilliant body horror. #Men pic.twitter.com/hS4OqCt8qC
— Eric Eisenberg (@eeisenberg) May 2, 2022
Alex Garland's MEN is guaranteed to be polarizing. Provocative in its execution, Garland is again unafraid to take risks, with memorable body horror moments in @men_movie that sear the mind. Jessie Buckley and Rory Kinnear make it difficult to look away onscreen. #MenMovie pic.twitter.com/XaXbUSHX8f
— Sarah Musnicky (@sarahmusnicky) May 2, 2022
Always been a Rory Kinnear fan but what he does in Alex Garland's MEN - playing about 500 roles (slight exaggeration), all creepy or uneasy in their own way - is next level. pic.twitter.com/7DBKtg37ia
— Kevin Polowy (@djkevlar) May 2, 2022
